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Remembrance exhibition

DDP Seoul · 22—23.08.2025

dearly

Be present.
Remember.

In presence we gather.
In memory we continue.

Dearly remembrance exhibition poster displayed on a city wall

01 · About the exhibition

Memory does not disappear.

Dearly is a remembrance exhibition that gives private memory a shared public form. The identity begins with a single hand-made imprint: a small trace of one person, held with care.

Each mark becomes a flower. Gathered together, the flowers form a field that moves across print, objects, walls, and the architecture of DDP Seoul. The system turns remembrance into a collective act: quiet, visible, and still growing.

02 · Identity system

One memory
at a time.

Dearly identity objects, stationery, tote, candle, fan, tickets, and keepsakes isolated on white
An identity designed to move from an intimate object into a public environment.

Poster language

Different arrangements keep every imprint individual while allowing the full series to read as one voice.

Nine individually arranged Dearly exhibition posters in blue and white
Three large Dearly remembrance posters installed separately on a concrete wall
Three Dearly posters displayed as individual illuminated panels in a station
Three messages, separated into their own moments in the station.

03 · Identity in public space

A field of memory
across the city.

Dearly flower field and wordmark projected across DDP Seoul and a long pedestrian wall at night
Aerial night view of white Dearly flower imprints covering DDP Seoul in blue light
Visitors approaching the Dearly projection on DDP Seoul at night

Participation

Write your name,
and let it bloom.

Visitors add names, messages, and memories to the wall. The field is never a fixed image; it changes through the people who enter it and leave a trace behind.

Visitors writing remembrance messages on the interactive blue flower wall
Dearly environmental graphic wrapping a long curved passage in blue and white
Night view of visitors walking toward the blue Dearly projection at DDP Seoul
In presence we gather. In memory we continue.

04 · Process

From imprint
to flower.

The project began in black and white, through repeated ink impressions made by hand. Pressure, movement, and the amount of ink gave each mark a different density and edge. No two traces were identical.

Alongside these image tests, the typographic system was developed with Azeret Mono. Its constructed, monospaced rhythm gives the changing marks a clear framework and carries the visual language consistently from exhibition information to large-scale environmental text.

Black ink imprint experiments arranged in a growing field on white paper
Imprint studies · density, repetition, and scale
Dearly typography development on a grid using Azeret Mono
Type study · Azeret Mono, medium and bold